Eliot wrote this book as his Ph.D. dissertation in 1916, and has allowed it to be published "as a curiosity of biographical interest." It is not difficult to move from his insistence in the thesis on the continuity of ideality and reality, of word and object, to his poetry and criticism. Precisely because of this insistence, Eliot's thesis is of more than merely biographical interest. As a work in philosophy it has a strikingly contemporary ring. E.g., "Without words, no objects". (...) Eliot was fundamentally sympathetic to Bradley's thought, but he was also open to the criticisms of Meinong and Russell, both of whom are discussed at length. The result is a kind of via media between idealism and realism, a very contemporary concern. Two 1916 essays on Leibniz are appended.—R. J. W. (shrink)